Welcome to
Senseindia Foundation Media Research and Education Forum
Senseindia Foundation®
Media Research and Education Forum
DIPLOMA IN STORY AND SCRIPT WRITING
(Novel - Film) By Research and Project
Senseindia Foundation is a ‘Media Research and Education Forum’ a Film production house that endeavors to bring intellectuals, media experts, social activists, and young enthusiastic people on a common platform. Senseindia wants to promote activities in Art, Culture, and Informal Education in social interest. The main purpose is to generate awareness, and appreciation and provide basic knowledge in these fields. Taking media as the first venture, Senseindia started ‘the one of its kind’ activity called “Film Orientation Workshop” and with perfect facilities provided by the W.R.I.C. and J.PNaik Bhavan of Mumbai University, Kalina CampusUsually at, this developed into a regular program covering all basic and important topics in Film Making, with camera practical and LCD monitoring and clippings to explain the main points. Usuallyat the end of the course the participants form an interactive group with the organizers that one of the Senseindia’s intentions is bringing people of common interest together.
The cinema is the most exciting art form to have emerged in the 20th century. At the same time, new modes of cinematic production and delivery are continuing to challenge and expand our understanding of what cinema is in the 21st century.
Film Studies develops your knowledge of classical and contemporary cinema and of how society is mediated by cinematic and electronic images. It enables us to analyses film and electronic media, as well as understand and appreciate their creative potential. It gives in-depth knowledge of the intellectual debates that form the discipline of film studies and its relationship with other disciplines, such as literature, art history, philosophy, architecture, music, politics, and new age digital media. Also it provides a background for pursuing careers in the Film media arts and related areas.
Film Media Studies at Senseindia Foundation benefits from a unique geographical position in Mumbai City. Diploma in film studies at Senseindia taught by a dedicated film studies team in Film Faculties.
In the well designed Film related Course aspirant participants can understand
q The complete process of Film Making
q Understanding the exact genre of Idea about they are thinking
q The formation of Idea for Film
q Easy methods to convert concept into Script
q Creation of the Characters and situations
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Inner potential Hunt as creative or technical person
q Understanding ways to achieve success as Writer and Film Maker
CAREERS
Film Students may work in a range of jobs, some directly connected to their studies at Senseindia . Some pursue graduate work in filmmaking, acting and other creative aspects of the film and media industries. Others move on to film studies at graduate level. The study of film can also lead to exciting careers in Film Direction, Production and Television media journalism, arts and other cultural management positions, film preservation and curating. Recent Senseindia students have found employment as Film Writer , Director, Broadcast Assistant, a media , film production company • Producer, pand roduction company • Researchers, production company. Number of successful candidate Directed Feature Films that got National, International Awards in various international Film festivals. So many participants published their books and Novels after attending Senseindia’s Courses.
TEACHING STYLE
Senseindia has made a major commitment to the study of film and related media. This includes building up a significant collection of print and audio-visual, new facilities for important information technology resources. All modules are taught in well-equipped rooms through a combination of screening, lecture and Individual counselling on projects
STRUCTURE OF PROGRAMMES & ASSESSMENT
Assessment is through a combination of coursework, in-class presentations, written examinations and Diploma Research Projects
Senseindia Foundation Research and Education Forum
DIPLOMA IN STORY AND SCRIPT WRITING (Novel - Film)
SYLLABUS FOR PROFESSIONAL SCREENPLAY WRITING COURSE
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Principles in Story Development:
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Literature and Social Reflections in Art
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Applications of Creativity in Literature and Cinema
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World Literature and Cinema
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History of Indian Story development Process
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Impact of religions on writing
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Novel writing and its screenplay adaptation
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History of Indian Film Writing
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Genres in Script Writing
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Important principles in Idea to Final Draft
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Creation of content
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Idea to Screenplay
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Pre -production
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Production
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Post-production
Practical Sessions in Script writing:
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Concept
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Story
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Novel
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Lyrics and Poetry
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Synopsis
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Characterization
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Story line / Structure
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Logic Study
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Screenplay / Audio Visual
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Dialog / Story-boarding
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Adaptation of Novel for Cinema
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Production Design
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Script Registration – Story Protection
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Project Pitching
Outdoor activities
Study tours
Location Hunting
Research Interviews
Situation Realizations
Course Overview:
This intensive scriptwriting course is designed to provide aspiring screenwriters with the knowledge and skills needed to develop compelling, well-structured screenplays. Participants will learn the art and craft of scriptwriting, from idea generation to script formatting. The course includes practical exercises, feedback sessions, and the study of reference books and movies to enhance understanding and creativity.
Module 1: Introduction to Screenwriting (Week 1)
Syllabus:
Understanding the screenwriter's role in filmmaking
The three-act structure
Elements of a screenplay: format, characters, dialogue, and action
Brainstorming and developing story ideas
Module 2: Creating Engaging Characters (Week 2)
Syllabus:
Character development: protagonist, antagonist, and supporting characters
Character arcs and motivations
Writing compelling character descriptions
Exercises in character development
Module 3: Building a Strong Plot (Week 3)
Syllabus:
Plot structure and plotting techniques
Conflict and tension
Subplots and B-stories
Writing loglines and synopses
Module 4: Writing Engaging Dialogue (Week 4)
Syllabus:
The art of dialogue writing
Subtext and sub dialogue
Character voice and speech patterns
Dialogue formatting
Module 5: Advanced Plot Development (Week 5)
Syllabus:
Non-linear storytelling techniques
Twist and reversal in storytelling
Creating set pieces and action sequences
Exploring different genres
Module 6: Writing for Visuals (Week 6)
Syllabus:
Visual storytelling and imagery
Writing for film vs. writing for television
Scene transitions and pacing
Writing visually compelling action
Module 7: Adapting Literature (Week 7)
Syllabus:
The art of adapting novels and short stories
Maintaining fidelity to the source material
Streamlining complex narratives
Case studies of successful adaptations
Module 8: Writing for Television (Week 8)
Syllabus:
Television script formats and structures
Creating pilot episodes
Serial vs. episodic storytelling
Industry standards and guidelines
Module 9: Pitching and Selling Your Script (Week 9)
Syllabus:
Crafting effective pitch materials
Pitching to producers, agents, and studios
Strategies for getting your script noticed
Legal and business aspects of screenwriting
Module 10: Writing for Web Series and New Media (Week 10)
Syllabus:
Creating content for online platforms
Short-form storytelling
Engaging with online audiences
Monetization and distribution strategies
Module 11: Revisions and Feedback (Week 11)
Syllabus:
The revision process
Receiving and giving constructive feedback
Professional script coverage and analysis
Preparing your script for submission
Module 12: Final Projects and Graduation (Week 12)
Syllabus:
Students will work on their final script projects, applying the principles and techniques learned throughout the course.
Pitching and presenting final projects to the class.
Course Conclusion:
Upon completion of this three-month film scriptwriting certificate course, participants will have gained comprehensive knowledge and practical skills in scriptwriting for various mediums. They will have a strong portfolio of work and be prepared to embark on a career as a screenwriter or continue their creative writing journey with confidence
Project Works:
Two Full length Stories for Novel – Feature Film
Research Dissertation: Critical Research and analysis on the subject : 5000 Words
Dissertation must involve a Film Studies element and you will take Comparative Print Literature & Film Studies options.
The detail course schedule will be explained in individual interview.
Course Duration: six months: From the Joining date of Course
Last Date of admission:
Customized Classroom sessions /Individual Training
Contact for fees details and Admission : 8850033436 / 9769595860
10 philosophical questions of personality test for new writers
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The Purpose of Writing: What do you believe is the primary purpose of writing? Is it to convey a message, explore the human condition, or something else entirely?
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Originality vs. Influence: How do you balance the desire for originality in your writing with the influence of literary works and authors who have come before you?
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The Nature of Truth: Do you think writing can ever truly capture objective truth, or is it always a subjective interpretation of reality?
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The Ethics of Fiction: Is it morally responsible for writers to explore dark or controversial themes in their fiction, even if it may be unsettling to readers?
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The Power of Language: What is the relationship between language and reality? Can language shape our understanding of the world, or is it merely a reflection of our thoughts?
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The Self in Writing: How much of your own identity and experiences do you consciously or unconsciously infuse into your writing? Is writing a form of self-discovery?
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The Role of Art: In your view, does art, including literature, have a duty to provoke thought and change, or is it primarily a form of personal expression and entertainment?
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The Quest for Meaning: Do you believe that writing can help individuals find meaning in life, or is it an endeavor that ultimately leaves questions of meaning unanswered?
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The Duality of Creation: Is writing a solitary act of creation, or does it involve a collaboration between the author's conscious and subconscious mind?
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The Legacy of Literature: How do you envision the impact of your writing on future generations? Do you aspire to leave a lasting literary legacy or write primarily for the present?
